'Sharing the Creative Process' blogs I enjoy. Never did get around to picking up on Jodi's call to promote new/other bloggers, till now.
http Pencil and Leaf/Apples
For the last six or so months, since I found this blog, Pencil and Leaf has been on a Bee Odyssey. Valerie Littlewood has always explained that Mr Smith, wears a hat. And Mr Jones Never Wears a Hat. She talks us thru the process of finding out what makes This Bee unique, and how to show that in her composition. Recently she has taken to adding - Mr Smith lives by the sea, Mr Jones up the mountain. And to exploring precisely Which Plant This Bee prefers. With a recent post including a delicate pencil drawing of apple blossom - which is a joy in its own right. If you are lucky enough to be in London this June - she has an upcoming exhibition at the Lumen Gallery. Lots of us write about bees. Enjoy both the artist's eye, and the naturalist's love of observation, the sense of wonder of both!
Her words -
'I changed the painting, made her a little smaller and daintier, and, in tribute to their unsung work in the orchards, she is now flying up towards apple blossom. .. I think this will also be the title of the painting…There Will Be Apples.'
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http valwebb egret
If you go to Val Webb's The Illustrated Garden you can follow this process step by step. I have deliberately chosen this mid-process picture to encourage you to seek out the before, and the magnificent after. Concept thru to, hold your breath - yes glazing successful.
Her words -
The design is a combination of botanical and bird studies from my nature sketchbook — I like to draw my subjects first, to get to know their angles and curves better before carving them into clay. ... Hooray! All the tiles survived the rigors of raku firing.
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http Purple Podded Peas ink-paper-print
Go walking in the English countryside with Celia Hart. Find inspiration for a linocut. Share the whole process here.
Again Her Words -
"A fox broke cover" is inspired by the landscape of gently rolling fields, small woods and lines of wind-break trees surrounding the village where I live and work. As dusk approaches animals stalk the hedgerows and birds take to the air; this is the borderland between day and night, between the wild and the tamed world.
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http Stone Art stone-chairs
Then we have Sunny Wieler stonemason/artist with his limestone bench. Imagine being able to say
One of my favourite things to build is stone seats. There is something very special about sitting in a stone seat, it feels very grand, almost throne like. When building stone seats, a portion of my time is spent sitting, making sure that they are comfortable and positioned right.
He introduces us to Stone-master Lew French
How to grow your own Chairs for National Tree Week?
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http Summerhouseart stained-glass-mosaics
And it was Helen Bushell at Summer House Art with her synchronicity, who reminded me that a handful of the blogs I enjoy reading - are these.
Her words -
Soon I was experimenting and creating my own stained glass mosaics. And learning that with glass there is such a thing as “grout creep” where the grout creeps under the glass and looks sort of messy.
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Since she writes about glass, which I love, we recently visited The Owl House at Nieu Bethesda. Nothing to do with live birds, everything to do with art and the artist and her work. But that is for a future post.
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A picture is worth a thousand words. And I cherish words. With Susan J Tweit, I can step out of the here and now, via a stitch in time, and live in another life for a moment. These snippets don't do justice to her lyrical style, but the two together tell a story. Each of her posts is a finely crafted, tightly woven whole. A seamless garment, if you will.
Holiday lights are meant to illuminate, a word that means "to light up," and also "to explain, make clear, elucidate." Light alleviates spiritual and intellectual darkness, bestowing knowledge and understanding.
As I strike a match to light a wick in the chill of solstice dusk, and place a flaming votive candle on its bed of sand, I think about the lessons luminarias teach. The bags by themselves are flimsy and flammable, the candles too small for robust light, the sand simply grit underfoot.
Bless you all: from Salida to DC, and Big Sur to Washington state, from Texas to the Eel River to Kansas, from Baja California del Sur to Sweden and Norway. Thank you for helping us illuminate this longest night of the year, the turning point when the sun "stops" in its journey, this time when we all wait and hope, for the gradual return of light and life. And thank you for illuminating the extraordinary journey Richard and I are taking with brain cancer. You've renewed our faith, and our belief in the power of love and light. What a gift it is to have you all lighting our way!
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And lighting a candle for our future, we return to Val Webb with her http collagraphs-in-the-city. Showing disadvantaged inner city children that they ARE creative. Look at the deLIGHT on these faces!
I'll close with her words - It’s always inspiring to see kids get excited about art. So I was on the receiving end of a lot of inspiration this week, as I hauled my etching press to two inner city schools to make collograph prints with students in the third through fifth grades. I’m one of three studio artists participating in Inner Space/Outer Space, a new arts outreach program sponsored by Centre for the Living Arts and partially funded by sales of Alabama’s “Support the Arts” automobile tag. And collograph printmaking is particularly cool, since they are largely created from things that might otherwise end up in the landfill: scraps of fabric and wallpaper, leftover ribbon and paper, cardboard and collected feathers. So is it conservation or art? You decide.
Any that you would add? Real artists? Truly inspired?
From Christine in Alaska Artmakinginthenorth whats-opposite-of-shearing-sheep

Photos and words from the original blogs,
chosen by Diana of Elephant's Eye